RASA: affect and intuition in javanese musical aesthetics

RASA: affect and intuition in javanese musical aesthetics

Benamou, Marc

54,85 €(IVA inc.)

Rasa is the most thorough treatment to date of this all-important concept at the heart of Javanese aesthetics. Rasa encompasses not only affect, mood, and intuition, but also theories of musical perception and cognition, as well as meaning and expression in music. INDICE: Preface; Technical Notes; 1.: The Musical Scene in Solo; 2.: The Taste of Music: Rasaning Gendhing; 3.: The Classification of Rasa Gendhing; 4.: : Having Rasa, Part 1: Linguistic and Cultural Perspectives; 5.: Having Rasa, Part 2: Musicianship; 6.: The Communication of Rasa, Part 1: General Considerations of Expression and Perception; 7.: The Communication of Rasa, Part 2:Garap and Other Factors Contributing to Specific Rasas; 8.: Why Rasa Talk Matters; Appendix A: Classifications of Rasa Gendhing from Oral and Written Sources; Appendix B: How Iråmå Works; Glossary; Bibliography; Dictionaries and Glossaries; Corpus: Works Having Citations of Rasa Terms as Used by Javanese Experts in Music and Related Arts; General Works; Discography of Recordings Referred to in the Text; Index

  • ISBN: 978-0-19-518943-8
  • Editorial: Oxford University
  • Encuadernacion: Cartoné
  • Páginas: 384
  • Fecha Publicación: 21/10/2010
  • Nº Volúmenes: 1
  • Idioma: Inglés