Revised and updated with a special emphasis on innovations in social media, the second edition of Media and Cultural Studies: Keyworks stands as the most popular and highly acclaimed anthology in the dynamic and multidisciplinary field of cultural studies. Features several new contributions with a special emphasis on topics relating to new media, social networking, feminist media theory, and globalization Includes updated introductory editorials and enhanced treatment of social media such as Twitter and YouTube INDICE: ContentsPreface to the Revised EditionAdventures in Media and Culture Studies: Introducing the Keyworks (Douglas M. Kellner and Meenakshi Gigi Durham) Part I: Culture, Ideology and HegemonyIntroduction to Part I1 The Ruling Class and the Ruling Ideas (Karl Marx and Friedrich Engels)2 (i) History of the Subaltern Classes; (ii) The Concept of 'Ideology'; Cultural Themes: Ideological Material (Antonio Gramsci)3 The Work of Art in the Age of Mechanical Reproduction (Walter Benjamin)4 The Culture Industry: Enlightenment as Mass Deception (Max Horkheimer and Theodor W. Adorno)5 The Public Sphere: An Encyclopedia Article (Jürgen Habermas)6 Ideology and Ideological State Apparatuses (NotesTowards an Investigation) (Louis Althusser) Part II: Social Life and CulturalStudiesIntroduction to Part II7 (i) Operation Margarine; (ii) Myth Today (Roland Barthes)8 The Medium is the Message (Marshall McLuhan)9 The Commodity as Spectacle (Guy Debord)10 Introduction: Instructions on How to Become a General in the Disneyland Club (Ariel Dorfman and Armand Mattelart)11 Base and Superstructure in Marxist Cultural Theory (Raymond Williams)12 (i) From Culture to Hegemony; (ii) Subculture: The Unnatural Break (Dick Hebdige)13 Encoding. Decoding (Stuart Hall)14 On the Politics of Empirical Audience Research (Ien Ang) Part III: Political EconomyIntroduction to Part III15 Contribution to a Political Economy of Mass-Communication (Nicholas Garnham)16 On the Audience Commodityand its Work (Dallas W. Smythe)17 A Propaganda Model (Edward Herman and Noam Chomsky)18 Not Yet the Post-Imperialist Era (Herbert I. Schiller)19 Gendering the Commodity Audience: Critical Media Research, Feminism, and Political Economy (Eileen R. Meehan)20 (i) Introduction; (ii) The Aristocracy of Culture (Pierre Bourdieu)21 On Television (Pierre Bourdieu) Part IV: The Politics of RepresentationIntroduction to Part IV22 Visual Pleasure and Narrative Cinema (LauraMulvey)23 Stereotyping (Richard Dyer)24 The Readers and Their Romances, (Janice Radway)25 Eating the Other: Desire and Resistance (bell hooks)26 Booty Call: Sex, Violence, and Images of Black Masculinity (Patricia Hill-Collins) 27 British Cultural Studies and the Pitfalls of Identity (Paul Gilroy)28 Under Western Eyes: Feminist Scholarship and Colonial Discourses (Chandra Talpade Mohanty)29 Hybrid Cultures, Oblique Powers (Néstor García Canclini) Part V: The Postmodern Turn, New Media, and Social NetworkingIntroduction to Part V30 The Precession of Simulacra (Jean Baudrillard)31 Postmodernism, or the Cultural Logic of Late Capitalism (Fredric Jameson)32 Feminism, Postmodernism and the 'Real Me' (Angela McRobbie)33 Postmondern Virtualities (Mark Poster)34 Quentin Tarantinos Star Wars?: Digital Cinema, Media Convergence, and Participatory Culture (Henry Jenkins)35 Alternative and Activist New Media: A Genre Framework. (Leah A. Lievrouw)36 Social Network Sites: Definition, History, and Scholarship (Danah M. Boyd and Nicole B. Ellison)
- ISBN: 978-0-470-65808-6
- Editorial: John Wiley & Sons
- Encuadernacion: Rústica
- Páginas: 592
- Fecha Publicación: 17/01/2012
- Nº Volúmenes: 1
- Idioma: Inglés