The Oxford handbook of neo-Riemannian music theories

In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an explorationof the music-analytical, theoretical, and historical aspects of this new field. INDICE: Acknowledgments; Preface; Part I. Intellectual Contexts; Chapter 1. The Reception of Hugo Riemann's Music Theory; Ludwig Holtmeier ; Chapter 2. The Nature of Harmony: A Translation and Commentary; Benjamin Steege ; Chapter3. What is a Function?; Brian Hyer ; Chapter 4. Riemann and Melodic Analysis:Studies in Folk-Musical Tonality; Matthew Gelbart and Alexander Rehding ; Part II. Dualism; Chapter 5. The Problem of Harmonic Dualism: A Translation and Commentary; Ian Bent ; Chapter 6. Harmonic Dualism as Historical and StructuralImperative; Henry Klumpenhouwer ; Chapter 7. Dualistic Forms; Alexander Rehding ; Chapter 8. Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music; Dmitri Tymoczko ; Part III. Tone Space; Chapter 9. From Matrix to Map: Tonbestimmung, the Tonnetz, and Riemann's Combinatorial Conception of Interval; Edward Gollin ; Chapter 10. On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564); Suzannah Clark ; Chapter 11. Tonal Pitch Space and the (neo-) Riemannian Tonnetz; Richard Cohn ; Part IV. Harmonic Space; Chapter 12. Neo-Riemannian Perspectives on the Harmonieschritte, with a Translation of Riemann's 'Systematik der Harmonieschritte'; Nora Engebretsen ; Chapter 13. On a Transformational Curiosity in Riemann's Schematisirung der Dissonanzen; Edward Gollin ; Chapter 14. Chromaticism and the Question of Tonality; David Kopp ; Part V. Temporal Space; Chapter 15. Perspectives on Riemann's Mature Theory of Meter; William E. Caplin ; Chapter 16. Reading Between the Lines: Hugo Riemann and Beethoven's Op. 31 Piano Sonatas; Scott Burnham ; Chapter 17. Metric Freedoms in Brahms's Songs: A Translation and Commentary; Paul Berry ; Part VI. Transformation, Analysis, Criticism; Chapter 18. Riemannian Analytical Values, Paleo- and Neo-; Steven Rings ; Chapter 19. Tonal Interpretation, Transformational Models, and the Chromatic Calls to Repent in Franck's Le chasseur maudit; Robert C. Cook ; Chapter 20. Three Short Essays on Neo-Riemannian Theory; Daniel Harrison ; Glossary; Selected Bibliography; Index

• ISBN: 978-0-19-532133-3
• Editorial: Oxford University
• Encuadernacion: Cartoné
• Páginas: 656
• Fecha Publicación: 01/05/2011
• Nº Volúmenes: 1
• Idioma: Inglés