Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast–moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art s primary practical challenges how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up–to–date, forward–looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art INDICE: List of Figures ii .Notes on Contributors iii .Acknowledgementsiv .INTRODUCTION .0v From Digital to Post–Digital Evolutions of an Art Form v .Christiane Paul .PART I: HISTORIES OF DIGITAL ART .1 The Complex and Multifarious Expression of Digital Art and its Impact on Archives and Humanities Oliver Grau .2 International Networks of Early Digital Arts Darko Fritz .3 Art in the Rear–View Mirror: The Media–Archaeological Tradition in Art Erkki Huhtamo .4 Proto–Media Art: Revisiting Japanese Postwar Avant–garde Art Machiko Kusahara .5 Generative Art Theory Philip Galanter .6 Digital Art at the Interface of Technology and Feminism Jennifer Way .07 The Hauntology of the Digital Image Charlie Gere .8 Participatory Art: Histories and Experiences of Display Rudolf Frieling .PART II: AESTHETICS OF DIGITAL ART .9 Small Abstract Aesthetics Max Bense .10 Aesthetics of the Digital Sean Cubitt .11 Computational Aesthetics Matthew Fuller and Beatrice Fazi .12 Participatory Platforms and the Emergence of Art Olga Goriunova .13 Interactive Art: Interventions in/to Process Nathaniel Stern .14 The Cultural Work of Public Interactives Anne Balsamo .PART III: NETWORK CULTURES: THE POLITICS OF DIGITAL ART .15 Shockwaves in the New World Order of Information and Communication Armin Medosch .16 Critical Intelligence in Art and Digital Media Konrad Becker .17 The Silver Age of Social Media: Nettime.org and the Avant–Garde of the 90s McKenzie Wark .18 Art in the Corporatized Sphere: The Impact of Commercial Social Media on Online Artistic Practice Kyle Chayka .19 Big Data and Artistic Visualization Lev Manovich .20 Critical Play: The Productive Paradox Mary Flanagan .PART IV: DIGITAL ART AND THE INSTITUTION .21 Contemporary Art and New Media: Digital Divide or Hybrid Discourse? Edward A. Shanken .22 One of Us! On the Coupling of New Media Art and Art Institutions Richard Rinehart .23 The Digital Arts In and Out of the Institution Where to Now? Sarah Cook .24 Digital Conservation – Tools, Methods, Strategies Ben Fino–Radin .25 Trusting Amateurs with Our Future Jon Ippolito .26 Enabling the Future, or How to Survive FOREVER Annet Dekker .27 Exhibition Histories and Futures: The Importance of Participation and Audiences Beryl Graham
- ISBN: 978-1-118-47520-1
- Editorial: John Wiley & Sons
- Encuadernacion: Cartoné
- Páginas: 640
- Fecha Publicación: 23/03/2016
- Nº Volúmenes: 1
- Idioma: Inglés