Modernism and copyright

Modernism and copyright

Saint-Amour, Paul K

34,73 €(IVA inc.)

How was modernism shaped by copyright law? How did modernists, for their part, exploit, reform, and evade intellectual property law? In pursuit of these questions, Modernism and Copyright brings together essays by well-known scholarsof literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. INDICE: Acknowledgments; Series Editors' Foreword; Paul K. Saint-Amour;'Introduction: Modernism and the Lives of Copyright'; 1.: Portraits of the Modernist As Copywright; Robert Spoo; 'Ezra Pound, Legislator: Perpetual Rights and Unfair Competition with the Dead'; Celia Marshik; 'Thinking Back through Copyright: Freedom and Fair Use in Virginia Woolf's Nonfiction'; 2.: Melodic Properties of the Culture System; Mark Osteen; 'Rhythm Changes: Contrafacts, Copyright, and Jazz Modernism'; Joanna Demers; 'Melody, Theft, and High Culture';3.: The Fall and Rise of Remix Culture; Peter Decherney; 'Gag Orders: Comedy,Chaplin, and Copyright'; W. Ron Gard & Elizabeth Townsend Gard; 'Marked by Modernism: Reconfiguring the 'Traditional Contours of Copyright Law' for the Twenty-First Century'; 4.: Regimes of Attribution and Publicity; Catherine L. Fisk; 'The Modern Author at Work on Madison Avenue'; Oliver Gerland; 'Modernism and the Emergence of the Right of Publicity: From Hedda Gabler to Lucy, Lady Duff-Gordon'; 5.: Biography, Privacy, and Copyright; Mark A. Fowler; ''The Quickin Pursuit of the Dead': Ian Hamilton and the Clash Between Literary Biographers and Copyright Owners'; Carol Loeb Shloss; 'Privacy and the Misuse of Copyright: The Case of Shloss v. The Estate of James Joyce'; 6.: Calving the Wind; Stanford G. Gann, Jr.; 'Beyond the Grave: Continuing Life Through Great Works'; Mary de Rachewiltz; 'Mens Sine Affectu'; 7.: Modernism After Modernism; Joseph R. Slaughter; ''It's good to be primitive': (Re)Placing Africa at the Ends of Modernism'; Eric Hayot & Edward Wesp; 'Solomon's Bluff: Virtual Property and the Aesthetics of Modern Worldmaking'; Appendix: Copyright Protection and Users' Rights-Frequently Asked Questions; Bibliography; Notes on Contributors; Index

  • ISBN: 978-0-19-973154-1
  • Editorial: Oxford University
  • Encuadernacion: Rústica
  • Páginas: 400
  • Fecha Publicación: 20/01/2011
  • Nº Volúmenes: 1
  • Idioma: Inglés