A Handbook to Classical Reception in Eastern and Central Europe

INDICE: List of contributors .I. Croatia Neven Jovanovi .1. Classical Reception in Croatia: an Introduction .2. Pula And Split – The Early Modern Tale(S) Of Two Ancient Cities Jasenka Gudelj .3. Croatian Neo–Latin literature and its uses Neven Jovanovi .4. Humanists and the Classics in Venetian Dalmatia before the Age of Print Luka poljari .5. The Swan Song of the Latin Homer Petra o tari .II. Slovenia Marko Marin i .6. Classical Reception in Slovenia: an Introduction Marko Marin i .7. Collecting Roman inscriptions beyond the Alps: Augustinus Tyfernus Marjeta a el Kos .8. Sta Maria sopra Siwa: Inventing a Slavic Venus Marko Marin i .9. Images From Slovenian Dramatic And Theatrical Interpretations Of Ancient Drama Andreja N. Inkret .III. Czech Republic Jan Ba ant .10. Classical Reception in Croatia: an Introduction Jan Ba ant .11. Classical Antiquity in Czech Literature between the National Revival and the Avant–Garde Daniela adková .12. The Classical Tradition and Nationalism: Art and Architecture of Prague, 1860 1900 Jan Ba ant .13. The Case of Oresteia: Classical Drama on Czech Stage 1889–2012 Alena Sarkissian .IV. Poland Dorota Dutsch .14. Classical Reception in Poland: an Introduction Dorota Dutsch .15. From Fictitious Letters to Celestial Revolutions: Copernicus and the Classics Dorota Dutsch and François Zdanowicz .16. Respublica and the Language of Freedom: The Polish Experiment Anna Grze kowiak–Krwawicz .17. Two Essays On Classical Reception in Poland Jerzy Axer .18. Greece as Poland in Juliusz S owacki s oeuvre Maria Kalinowska .V. Hungary Farkas Gábor Kiss .19. Classical Reception in Hungary: an Introduction Farkas Gábor Kiss .20. Classical Reception in Sixteenth–Century Hungarian Drama Ágnes Juhász–Ormsby .21. Truditur dies die: Reading Horace as a political attitude in nineteenth and twentieth century Hungary Ábel Tamás .22. The Shepherdess and the Myrmillo Nóra Veszprémi .VI. Romania Dana Munteanu .23. Classical Reception in Romania: an Introduction Radu Ardevan, Florin Berindeanu and Ioan Piso .24. Loving Vergil, Hating Rome: Co buc as Translator and Poet Carmen Fenechiu and Dana Munteanu .25. Noica s Becoming within Being and Meno s Paradox Octavian Gabor .26. Reception of the Tropaeum Traiani: Former Paths and Future Directions Allison L.C. Emmerson .VII. Serbia–Montenegro Nada Ze evic .27. Classical Reception in Bosnia–Herzegovina and Serbia: an Introduction Nada Ze evic and Nenad Ristovi .28. Classical Antiquity in the Franciscan Historiography of Bosnia (18th c) Nada Ze evi .29. Innovative Impact of the Classical Traditionon the Early Modern Serbian Literature Nenad Ristovi .30. Classical Heritage in the Serbian Lyric Poetry of the 20th Century Ana Petkovi .31. The Ancient Sources of Njego s Poetics Darko Todorovi .VIII. Bulgaria Yoana Sirakova .32. Classical Receptions in Bulgaria: An Introduction Yoana Sirakova .33. Bulgarian Lands in Antiquity: A Melting Pot of Thracian, Greek, and Roman Culture Mirena Slavova .34. In the Labyrinth of Allusions: Ancient Figures in Bulgarian Prose Fiction Violeta Gerjikova .35. Bulgarian Orpheus between the National and the Foreign, between Antiquity and Postmodernism Yoana Sirakova .36. Staging of Ancient Tragedies in Bulgaria and Their Influence on the Process of Translation and Creative Reception Dorothea Tabakova .IX. Russia Judith Kalb .37. Classical Reception in Russia: an Introduction Judith E. Kalb .38. Men in Cases: The Perception of Classical Schools in Prerevolutionary Russia Grigory Starikovsky .39. Homer in Russia Judith E. Kalb .40. Vergil in Russia: Milestones of Identity Zara Martirosova Torlone .41. Russian Encounters with Classical Antiquities: Archaeology, Museums, and National Identity in the Czarist Empire Caspar Meyer .X. Armenia and Georgia Zara M. Torlone .42. Classical Reception in Georgia: an Introduction Ketevan Gurchiani .43. The Greek Tragedy on the Georgian Stage: 20th Century Ketevan Gurchiani .44. Armenian Culture and Classical Antiquity Armen Kazaryan and Gohar Mouradyan .45. Medieval Greek–Armenian Literary Relations Gohar Muradyan .46. Classical Trend of Armenian Architectural School of Ani (10th–11th centuries): the Greco–Roman Model and the Conversion of Medieval Art Armen Kazaryan

• ISBN: 978-1-118-83271-4
• Editorial: John Wiley & Sons
• Encuadernacion: Cartoné
• Páginas: 600
• Fecha Publicación: 23/01/2017
• Nº Volúmenes: 1
• Idioma: Inglés